Call it the ultimate bachelor pad or a dream home, this is how Hollywood’s 2009 “House of the Year” looks like. Put together by the talented folks at Temple Home, the breathtaking 7,000-square-foot structure is the perfect blend of drama, design and innovation.
Nestled close to the most shining stars in Hollywood Hills’ best, the lavish home is packed with technology up to its teeth. Perfect for a young actor or maybe a talented director, we salute the modern furnishings, the outdoor pool area and the gorgeous scenery that it’s part of.
This stunning house sits among the Hollywood Hills and it’s full of new technologies: CinemaScope theater, 7.1-channel surround-sound, intricate TV concealment, extensive automation.
“Developed as the ultimate bachelor pad, (the designer’s) thing was that they wanted all of the technology that a young Hollywood actor or director might want,” says systems developer and DSI co-founder Eric Thies.
“Obviously, there were a lot of potential buyers here that fit that category, so for a 7,000-square-foot house they wanted a lot of technology crammed into it.”
Three areas are filled by surround sound, including a rattling 7.1-channel JBL Synthesis system in the theater and an understated 7.1 Sonance architectural speaker layout in the family room. There’s even a separate video game room that features a triple-screen auto racing simulator and a flat-panel TV that taps into a local PC for gaming fun.
The theater presents movies on a 125-inch Stewart Filmscreen in the superwide CinemaScope format (2.35:1 aspect ratio), accompanied by a Runco projector and CineWide anamorphic lens that fills the screen without black bars. Combined with the JBL system, which includes Synthesis processing, amplification and equalization, the theater rates with the finest of Hollywood screening rooms.
The blend of A/V and architectural touches doesn’t stop at the back door, either (35-foot sliding glass doors, by the way). The outdoor pool area and landscaping are included among the 20 zones of housewide audio and peppered with 16 unobtrusively placed speakers.
“The ability for technology to disappear was far more important in this house than others we’ve done, and the things we couldn’t hide, like touchpanels and keypads, had to be special,” says Thies. “We didn’t want to completely give up A/V performance, and I think we compromised here in the right ways.”